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	<title>ARTE, ARQUEOLOG&#205;A e HISTORIA</title>
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<item xml:lang="es">
		<title>El conflicto del CPPC a trav&#233;s de sus documentos, I (2000-2001) </title>
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		<dc:date>2025-07-01T07:00:00Z</dc:date>
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		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>



		<description>Habi&#233;ndome interesado sobre la documentaci&#243;n del Consejo Provincial de Participaci&#243;n Ciudadana en el Archivo de la Diputaci&#243;n Provincial de C&#243;rdoba, recib&#237;, con sorpresa, la respuesta de que esa documentaci&#243;n no se hab&#237;a depositada en dicho archivo. El temor de que hubiera desaparecido, me motiv&#243; a realizar un esfuerzo de recopilaci&#243;n de dicha documentaci&#243;n, con la intenci&#243;n de que se conserve y est&#233; al alcance de los futuros interesados en la historia social e institucional de C&#243;rdoba. (...)

-
&lt;a href="http://www.artearqueohistoria.com/spip/rubrique115.html" rel="directory"&gt;Jes&#250;s Padilla Gonz&#225;lez&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src=&quot;http://www.artearqueohistoria.com/spip/local/cache-vignettes/L107xH150/arton926-5ccb8.jpg&quot; alt=&quot;&quot; align=&quot;right&quot; width='107' height='150' class='spip_logos' style='height:150px;width:107px;' /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt; &lt;/p&gt; &lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px; text-align: center;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;span class='spip_document_3248 spip_documents spip_documents_center'&gt;
&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L500xH702/-924-cf72f.jpg' width='500' height='702' alt=&quot;&quot; style='height:702px;width:500px;' /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;p&gt; &lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:trebuchet ms, helvetica, sans-serif;&quot;&gt;Habi&#233;ndome interesado sobre la documentaci&#243;n del Consejo Provincial de Participaci&#243;n Ciudadana en el Archivo de la Diputaci&#243;n Provincial de C&#243;rdoba, recib&#237;, con sorpresa, la respuesta de que esa documentaci&#243;n no se hab&#237;a depositada en dicho archivo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:trebuchet ms, helvetica, sans-serif;&quot;&gt;&lt;span class=&quot;gmail-tm8&quot;&gt;El temor de que hubiera desaparecido, me motiv&#243; a realizar un esfuerzo de recopilaci&#243;n de dicha documentaci&#243;n, con la intenci&#243;n de que se conserve y est&#233; al alcance de los futuros interesados en la historia social e institucional de C&#243;rdoba. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:trebuchet ms, helvetica, sans-serif;&quot;&gt;&lt;span class=&quot;gmail-tm8&quot;&gt;As&#237;, pues, en este trabajo &#8211;siendo consciente de que nuestra pretensi&#243;n de ser exhaustivo, ha sido practicamente imposible de realizar y que no he podido obtener toda la documentaci&#243;n que hubiese deseado recopilar, presento, al menos, la que he podido reunir, por lo que nuestra pretensi&#243;n est&#225; abierta a nuevas y futuras aportaciones.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:trebuchet ms, helvetica, sans-serif;&quot;&gt;&lt;span class=&quot;gmail-tm8&quot;&gt;Por su importancia, en este dossier, a parte de los documentos propios y ajenos producidos en el debate institucional de dicho Consejo, he recogido toda la informaci&#243;n publicada en la prensa local, ya que el papel de los medios de comunicaci&#243;n en esta cuesti&#243;n fue clave y fundamental en su desarrollo y evoluci&#243;n.&lt;br /&gt; &lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;a href=&quot;https://www.artearqueohistoria.com/spip/IMG/pdf/-272.pdf&quot; target=&quot;_blank&quot;&gt;Leer art&#237;culo completo&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="es">
		<title>El Consejo Provincial de Participaci&#243;n Ciudadana: montaje pol&#237;tico, fraude social (2000-2002)</title>
		<link>http://www.artearqueohistoria.com/spip/article922.html</link>
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		<dc:date>2025-06-02T06:54:00Z</dc:date>
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		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>



		<description>Si tuvi&#233;semos que sintetizar, cr&#237;ticamente, la tem&#225;tica pol&#237;tica de la reciente historia de nuestra provincia y ciudad, circunscribiendo como &#225;mbito temporal a la ya no breve etapa democr&#225;tica -que comprende m&#225;s de cuatro d&#233;cadas-, por no remontarnos m&#225;s en el tiempo, sin duda alguna podr&#237;amos vertebrarla en dos n&#250;cleos tem&#225;ticos: El primero de ellos, el de los macroproyectos; y, el segundo, girar&#237;a en torno al tema de la denominada &#8220;participaci&#243;n ciudadana&#8221;.

-
&lt;a href="http://www.artearqueohistoria.com/spip/rubrique115.html" rel="directory"&gt;Jes&#250;s Padilla Gonz&#225;lez&lt;/a&gt;


		</description>


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&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L375xH529/-923-9ce2f.jpg' width='375' height='529' alt=&quot;&quot; style='height:529px;width:375px;' /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px; text-align: center;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;/div&gt;
&lt;div&gt; &lt;span style=&quot;font-family:trebuchet ms, helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span class=&quot;gmail-tm7&quot;&gt;Si tuvi&#233;semos que sintetizar, cr&#237;ticamente, la tem&#225;tica pol&#237;tica de la reciente historia de nuestra provincia y ciudad, circunscribiendo como &#225;mbito temporal a la ya no breve etapa democr&#225;tica -que comprende m&#225;s de cuatro d&#233;cadas-, por no remontarnos m&#225;s en el tiempo, sin duda alguna podr&#237;amos vertebrarla en dos n&#250;cleos tem&#225;ticos: El primero de ellos, el de los macroproyectos; y, el segundo, girar&#237;a en torno al tema de la denominada &#8220;participaci&#243;n ciudadana&#8221;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt; &lt;/div&gt;
&lt;div&gt; &lt;a href=&quot;https://www.artearqueohistoria.com/spip/IMG/pdf/-268.pdf&quot; style=&quot;font-size: 14px; font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(143, 143, 189);&quot; target=&quot;_blank&quot;&gt;Leer art&#237;culo completo&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;
		
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<item xml:lang="es">
		<title>La cementera de C&#243;rdoba, claves ciudadanas de un conflicto (I Parte)</title>
		<link>http://www.artearqueohistoria.com/spip/article890.html</link>
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		<dc:date>2024-09-03T09:00:37Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>



		<description>Amable lector, perm&#237;teme que le haga unas aclaraciones previas al inicio de la lectura que vas a emprender, a fin de que puedas tener una m&#225;s perfecta comprensi&#243;n del planteamiento y desarrollo de este trabajo. En primer lugar, es importante que tengas en cuenta que la historia que se narra tiene como t&#233;rmino cronol&#243;gico, el mes de agosto de 2016, aunque &#233;sta es una historia que est&#225; totalmente abierta y cuyo futuro es dif&#237;cilmente previsible, b&#225;sicamente porque todo va a depender de unas (...)

-
&lt;a href="http://www.artearqueohistoria.com/spip/rubrique115.html" rel="directory"&gt;Jes&#250;s Padilla Gonz&#225;lez&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src=&quot;http://www.artearqueohistoria.com/spip/local/cache-vignettes/L108xH150/arton890-fa278.jpg&quot; alt=&quot;&quot; align=&quot;right&quot; width='108' height='150' class='spip_logos' style='height:150px;width:108px;' /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt; &lt;span style=&quot;color: rgb(0, 0, 0); font-family: Verdana, Geneva, Sans, sans-serif; font-size: 10px; text-align: center;&quot;&gt;&lt;span class='spip_document_2780 spip_documents spip_documents_center'&gt;
&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L500xH698/-571-4ba83.jpg' width='500' height='698' alt=&quot;&quot; style='height:698px;width:500px;' /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; Amable lector, perm&#237;teme que le haga unas aclaraciones previas al inicio de la lectura que vas a emprender, a fin de que puedas tener una m&#225;s perfecta comprensi&#243;n del planteamiento y desarrollo de este trabajo.&lt;/p&gt; &lt;p&gt; En primer lugar, es importante que tengas en cuenta que la historia que se narra tiene como t&#233;rmino cronol&#243;gico, el mes de agosto de 2016, aunque &#233;sta es una historia que est&#225; totalmente abierta y cuyo futuro es dif&#237;cilmente previsible, b&#225;sicamente porque todo va a depender de unas resoluciones que han de adoptar los Tribunales de Justicia y que, por consiguiente, no dependen de la voluntad de sus actores, as&#237; como de unas disposiciones pol&#237;ticas, mediatizadas por las anteriores, que a&#250;n est&#225;n por debatirse y aprobarse. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt; &lt;p&gt; Por ello, es comprensible que las cuestiones que est&#225;n &lt;i&gt;sub i&#250;dice&lt;/i&gt;, aunque queden planteadas en el estudio, no hayan sido desarrolladas pues, como es l&#243;gico, su futuro depender&#225; de las resoluciones que determinen dichos Tribunales. As&#237; mismo es obvio decir que los an&#225;lisis que se realizan se efect&#250;an en base a la documentaci&#243;n a la que he tenido acceso, aunque el deseo del que suscribe hubiese sido disponer de fuentes m&#225;s amplias y completas; pero llegar a algunas instancias para efectuar consultas, como se puede deducir por la naturaleza de la materia que se trata, es una cuesti&#243;n bastante complicada y dif&#237;cil. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt; &lt;p&gt; A lo largo de los 32 cap&#237;tulos que dan forma a este libro, escrito con el rigor de un historiador que ha buceado en los archivos hist&#243;ricos y con la frescura propia de la informaci&#243;n recogida de primera mano, ofrezco un compendio de todos los argumentos esgrimidos por la &lt;i&gt;Plataforma C&#243;rdoba Aire Limpio&lt;/i&gt; (integrada por m&#225;s de treinta colectivos) en relaci&#243;n con los riesgos asociados a la fabricaci&#243;n de cemento y a la incineraci&#243;n de residuos en este tipo de industrias, as&#237; como de los antecedentes hist&#243;ricos de la lucha ciudadana contra los impactos medioambientales producidos por la cementera en C&#243;rdoba, descifrando sus claves.&lt;/p&gt; &lt;p&gt; &lt;b&gt;Jes&#250;s Padilla Gonz&#225;lez &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt; &lt;p&gt; &lt;b&gt;C&#243;rdoba, 2016&lt;/b&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;a href=&quot;https://www.artearqueohistoria.com/spip/IMG/pdf/-217.pdf&quot;&gt;Leer art&#237;culo completo&lt;/a&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="es">
		<title>Radiograf&#237;a del Consejo Provincial de Participaci&#243;n Ciudadana (1996-2000)</title>
		<link>http://www.artearqueohistoria.com/spip/article854.html</link>
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		<dc:date>2023-10-30T09:58:58Z</dc:date>
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		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>



		<description>Este libro que tienes en tus manos, apreciado lector, es la segunda parte de un amplio estudio que he titulado El Consejo Provincial de Participaci&#243;n Ciudadana. Estudio Cr&#237;tico; un &#243;rgano de participaci&#243;n ciudadana que fue creado por la Diputaci&#243;n Provincial de C&#243;rdoba en la d&#233;cada de los noventa del pasado siglo, estudio que entonces realic&#233; pero que, pasadas dos d&#233;cadas, ahora lo saco a la luz p&#250;blica; s&#237;, con notable tardanza pues, aunque (...)

-
&lt;a href="http://www.artearqueohistoria.com/spip/rubrique115.html" rel="directory"&gt;Jes&#250;s Padilla Gonz&#225;lez&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src=&quot;http://www.artearqueohistoria.com/spip/local/cache-vignettes/L105xH150/arton854-ba881.jpg&quot; alt=&quot;&quot; align=&quot;right&quot; width='105' height='150' class='spip_logos' style='height:150px;width:105px;' /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align:justify;text-indent:70.9pt;line-height:
24.0pt;mso-pagination:none;mso-layout-grid-align:none;text-autospace:none&quot;&gt; &lt;/p&gt; &lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px; text-align: center;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;span class='spip_document_2477 spip_documents spip_documents_center'&gt;
&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L500xH716/-379-10ee1.jpg' width='500' height='716' alt=&quot;&quot; style='height:716px;width:500px;' /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt; &lt;/div&gt;
&lt;p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align:justify;text-indent:70.9pt;line-height:
24.0pt;mso-pagination:none;mso-layout-grid-align:none;text-autospace:none&quot;&gt; &lt;span style=&quot;mso-fareast-font-family:&quot;Times New Roman&quot;;mso-fareast-language:ES&quot;&gt;Este libro que tienes en tus manos, apreciado lector, es la segunda parte de un amplio estudio que he titulado &lt;b&gt;&lt;i&gt;El Consejo Provincial de Participaci&#243;n Ciudadana. Estudio Cr&#237;tico&lt;/i&gt;&lt;/b&gt;&lt;i&gt;;&lt;/i&gt; un &#243;rgano de participaci&#243;n ciudadana que fue creado por la Diputaci&#243;n Provincial de C&#243;rdoba en la d&#233;cada de los noventa del pasado siglo, estudio que entonces realic&#233; pero que, pasadas dos d&#233;cadas, ahora lo saco a la luz p&#250;blica; s&#237;, con notable tardanza pues, aunque esta obra se escribi&#243; all&#225; por el a&#241;o 2002, decid&#237; dejar que el debate se serenase y el tiempo diese perspectiva hist&#243;rica a los acontecimientos y comprobase si llevaba o no raz&#243;n, como as&#237; ha sido. La primera parte del trabajo ya se ha publicado con el t&#237;tulo &lt;i&gt;La Participaci&#243;n Ciudadana en la Diputaci&#243;n Provincial de C&#243;rdoba (1995-1999).&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="es">
		<title>Las claves pol&#237;ticas del movimiento ciudadano en C&#243;rdoba</title>
		<link>http://www.artearqueohistoria.com/spip/article848.html</link>
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		<dc:date>2022-12-21T10:16:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>



		<description>Este trabajo, estimado lector, hay que englobarlo en el contexto de los estudios que su autor ha realizado en torno a la institucionalizaci&#243;n de la Participaci&#243;n Ciudadana en la Diputaci&#243;n Provincial de C&#243;rdoba pues considera que es clarificador, aunque sea de manera sucinta, ofrecer una visi&#243;n panor&#225;mica de lo que suced&#237;a en el Movimiento Ciudadano de C&#243;rdoba en el per&#237;odo en el que enmarca dichos trabajos, porque sin conocer este contexto social dif&#237;cilmente comprender&#237;amos algunas (...)

-
&lt;a href="http://www.artearqueohistoria.com/spip/rubrique115.html" rel="directory"&gt;Jes&#250;s Padilla Gonz&#225;lez&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src=&quot;http://www.artearqueohistoria.com/spip/local/cache-vignettes/L109xH150/arton848-1d0fa.jpg&quot; alt=&quot;&quot; align=&quot;right&quot; width='109' height='150' class='spip_logos' style='height:150px;width:109px;' /&gt;
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&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L500xH694/-297-cd9b7.jpg' width='500' height='694' alt=&quot;&quot; style='height:694px;width:500px;' /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px; text-align: center;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px; text-align: center;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;span style=&quot;font-family: &quot;Times New Roman&quot;, serif; text-align: justify; text-indent: 70.9pt; font-size: 12px;&quot;&gt;Este trabajo, estimado lector, hay que englobarlo en el contexto de los estudios que su autor ha realizado en torno a la institucionalizaci&#243;n de la Participaci&#243;n Ciudadana en la Diputaci&#243;n Provincial de C&#243;rdoba pues considera que es clarificador, aunque sea de manera sucinta, ofrecer una visi&#243;n panor&#225;mica de lo que suced&#237;a en el Movimiento Ciudadano de C&#243;rdoba en el per&#237;odo en el que enmarca dichos trabajos, porque sin conocer este contexto social dif&#237;cilmente comprender&#237;amos algunas cuestiones que en ellos se describen.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;span style=&quot;font-family: &quot;Times New Roman&quot;, serif; text-indent: 70.9pt; font-size: 12px;&quot;&gt;En este sentido, esta monograf&#237;a se ci&#241;e temporalmente al &#250;ltimo lustro del siglo XX en el que se produjeron importantes transformaciones en el mundo de la Participaci&#243;n Ciudadana cordobesa y de ah&#237; el inter&#233;s y atractivo que, como historiador del tiempo presente, le ha suscitado.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;span style=&quot;font-family: &quot;Times New Roman&quot;, serif; text-indent: 70.9pt; font-size: 12px;&quot;&gt;En este estudio se traza, de manera muy sucinta, las grandes l&#237;neas por las que transcurri&#243; dicha Participaci&#243;n Ciudadana y se ofrece una versi&#243;n de los principales acontecimientos pol&#237;ticos en la que hay que englobarla para su m&#225;s correcta comprensi&#243;n y contextualizaci&#243;n.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;span style=&quot;font-family: &quot;Times New Roman&quot;, serif; text-indent: 70.9pt; font-size: 12px;&quot;&gt;Hemos de advertir, y t&#233;ngase en cuenta, que lo que se describe en estas p&#225;ginas, es un momento muy concreto de la fecunda y poco conocida intrahistoria del Movimiento Ciudadano cordob&#233;s (que entonces, era b&#225;sicamente vecinal), en un momento en el que se producen fuertes convulsiones debido, fundamentalmente, al intervencionismo de los partidos pol&#237;ticos y a los cambios que se estaban operando en nuestra sociedad con la aparici&#243;n de nuevos colectivos sociales que buscaban su lugar en el tablero institucional de la sociedad cordobesa.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;span style=&quot;font-family: &quot;Times New Roman&quot;, serif; text-indent: 70.9pt; font-size: 12px;&quot;&gt;Tambi&#233;n, se&#241;alar que su autor no pretende en este trabajo hacer una estudio exhaustivo de la Participaci&#243;n Ciudadana y sus agentes, ni tan siquiera del devenir hist&#243;rico particular y global que estudia, sino que lo que intenta es ofrecer una panor&#225;mica general de las grandes l&#237;neas de actuaci&#243;n de los actores del hecho hist&#243;rico que comenta.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt; &lt;p&gt; &lt;/p&gt; &lt;/div&gt;&lt;/div&gt;
		
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		<title>Participaci&#243;n ciudadana en la diputaci&#243;n provincial de C&#243;rdoba (1995-1999)</title>
		<link>http://www.artearqueohistoria.com/spip/article847.html</link>
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		<dc:date>2022-12-21T10:13:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>



		<description>Cuando se inicia la redacci&#243;n de un trabajo como el que prologamos, se tiene escr&#250;pulos como historiador por temor a cometer errores de apreciaci&#243;n por falta de perspectiva hist&#243;rica o caer en el subjetivismo, ya que vamos a analizar unos acontecimientos muy cercanos en el tiempo y de los que nos hallamos vitalmente muy pr&#243;ximo; as&#237; como no pocos reparos a que, a pesar de la pretensi&#243;n de exponer los hechos lo m&#225;s objetiva y (...)

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 <content:encoded>&lt;img src=&quot;http://www.artearqueohistoria.com/spip/local/cache-vignettes/L108xH150/arton847-afbab.jpg&quot; alt=&quot;&quot; align=&quot;right&quot; width='108' height='150' class='spip_logos' style='height:150px;width:108px;' /&gt;
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&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L500xH701/-298-8bf1c.jpg' width='500' height='701' alt=&quot;&quot; style='height:701px;width:500px;' /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px; text-align: center;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;/div&gt;
&lt;div style=&quot;font-family: Verdana, Geneva, Sans, sans-serif; color: rgb(0, 0, 0); font-size: 10px;&quot; title=&quot;Haga doble clic para insertar este atajo en el texto&quot;&gt; &lt;span style=&quot;text-align: justify; text-indent: 70.8pt; color: rgb(34, 34, 34); font-family: Arial, Verdana, sans-serif; font-size: 12px;&quot;&gt;Cuando se inicia la redacci&#243;n de un trabajo como el que prologamos, se tiene escr&#250;pulos como historiador por temor a cometer errores de apreciaci&#243;n por falta de perspectiva hist&#243;rica o caer en el subjetivismo, ya que vamos a analizar unos acontecimientos muy cercanos en el tiempo y de los que nos hallamos vitalmente muy pr&#243;ximo; as&#237; como no pocos reparos a que, a pesar de la pretensi&#243;n de exponer los hechos lo m&#225;s objetiva y cient&#237;ficamente posible, sea tildada nuestra tarea de ideol&#243;gica, al escribir sobre temas no exentos de connotaciones pol&#237;ticas y, en determinados momentos, de implicaciones personales.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt; &lt;p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:6.0pt;text-align:justify;text-indent:
70.8pt&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt; &lt;p&gt; &lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;Aun siendo consciente de los riesgos se&#241;alados y de las posibles cr&#237;ticas que este estudio pudiera recibir por dichas causas, mal cumplir&#237;amos con nuestra responsabilidad profesional o con nuestro compromiso personal hacia los movimientos sociales en los que venimos trabajando desde hace muchos a&#241;os, si disponiendo de una documentaci&#243;n e informaci&#243;n privilegiada, a la que no es nada f&#225;cil tener acceso, no la aprovech&#225;semos para dejar testimonio hist&#243;rico fidedigno de &#233;ste.&lt;/p&gt; &lt;p&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt; &lt;p&gt; Dicho esto, advertimos que lo que exponemos a continuaci&#243;n es la narraci&#243;n de un proceso: El an&#225;lisis de c&#243;mo se cre&#243; el marco institucional de la Participaci&#243;n Ciudadana en la Diputaci&#243;n Provincial de C&#243;rdoba entre 1995 y 1999, sin ir m&#225;s all&#225; de los propios actos de creaci&#243;n y vertebraci&#243;n de los instrumentos con la que &#233;sta se dot&#243;. No nos adentraremos, en esta primera parte de nuestro estudio, a historiar c&#243;mo, una vez instituidos, &#233;stos evolucionaron; pues este fen&#243;meno, en estos momentos, no es objeto de nuestra atenci&#243;n, aunque lo abordaremos en sucesivos trabajos.&lt;/p&gt; &lt;p&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt; &lt;/div&gt;&lt;/div&gt;
		
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<item xml:lang="es">
		<title>Conferencia de D. Niceto Alcal&#225; Zamora en El C&#237;rculo de la Amistad de C&#243;rdoba: Feminismo y Obrerismo</title>
		<link>http://www.artearqueohistoria.com/spip/article714.html</link>
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		<dc:date>2019-06-20T19:40:19Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>


		<dc:subject>Historia</dc:subject>

		<description>D. Niceto Alcal&#225; Zamora Muchas y muy ilustres personalidades del mundo de la Cultura, la Pol&#237;tica y la Sociedad han pasados por los salones del Real C&#237;rculo de la Amistad; sin duda, uno de los centros culturales y sociales m&#225;s importante e influyentes de la C&#243;rdoba contempor&#225;nea. Pues bien, el presente art&#237;culo se dedica a glosar la conferencia que en esta noble Instituci&#243;n imparti&#243; uno de las m&#225;s notables pr&#243;ceres de la pol&#237;tica espa&#241;ola del siglo XX. Nos referimos al que fuera (...)

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		</description>


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&lt;dt&gt;&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L300xH418/-176-d2423.jpg' width='300' height='418' alt='JPEG - 52.9 KB' style='height:418px;width:300px;' /&gt;&lt;/dt&gt;
&lt;dt class='spip_doc_titre' style='width:300px;'&gt;&lt;strong&gt;D. Niceto Alcal&#225; Zamora&lt;/strong&gt;&lt;/dt&gt;
&lt;/dl&gt;
&lt;p&gt; &lt;span style=&quot;font-family: &quot;Times New Roman&quot;, serif; font-size: 12pt;&quot;&gt;Muchas y muy ilustres personalidades del mundo de la Cultura, la Pol&#237;tica y la Sociedad han pasados por los salones del &lt;/span&gt;&lt;i style=&quot;font-family: &quot;Times New Roman&quot;, serif; font-size: 12pt;&quot;&gt;Real C&#237;rculo de la Amistad&lt;/i&gt;&lt;span style=&quot;font-family: &quot;Times New Roman&quot;, serif; font-size: 12pt;&quot;&gt;; sin duda, uno de los centros culturales y sociales m&#225;s importante e influyentes de la C&#243;rdoba contempor&#225;nea.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;	&lt;span lang=&quot;ES&quot; style=&quot;font-size:12.0pt;mso-bidi-font-size:11.0pt;font-family:
&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:Calibri;mso-ansi-language:
ES;mso-fareast-language:EN-US;mso-bidi-language:AR-SA&quot;&gt;Pues bien, el presente art&#237;culo se dedica a glosar la conferencia que en esta noble Instituci&#243;n imparti&#243; uno de las m&#225;s notables pr&#243;ceres de la pol&#237;tica espa&#241;ola del siglo XX. Nos referimos al que fuera presidente de la II Rep&#250;blica Espa&#241;ola, don Niceto Alcal&#225; Zamora, que en junio de 1921 ofreci&#243; una lecci&#243;n magistral en la que disert&#243;, sorprendiendo a la sociedad cordobesa, sobre un tema que a&#250;n hoy es de relevante actualidad: &lt;i&gt;&#8220;Feminismo y obrerismo&#8221;.&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="es">
		<title>La cementera de C&#243;rdoba: las claves ciudadanas de un conflicto (III Parte)</title>
		<link>http://www.artearqueohistoria.com/spip/article713.html</link>
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		<dc:date>2019-06-10T06:00:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>


		<dc:subject>Historia</dc:subject>

		<description>Portada del libro: La cementera de C&#243;rdoba: las claves ciudadanas de un conflicto (III Parte) En este libro, editado en formato digital libre para su m&#225;s amplia difusi&#243;n en las redes sociales y bibliotecas digitales, el historiador Jes&#250;s Padilla Gonz&#225;lez ha tratado diez temas nucleares de la larga lucha y reivindicaci&#243;n de colectivo social denominado C&#211;RDOBA AIRE LIMPIO. En le se estudia entre otras cuestiones: la creaci&#243;n de la plataforma C&#243;rdoba Aire Limpio (2007-2012); la visi&#243;n (...)

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		</description>


 <content:encoded>&lt;img src=&quot;http://www.artearqueohistoria.com/spip/local/cache-vignettes/L111xH150/arton713-7c5cf.jpg&quot; alt=&quot;&quot; align=&quot;right&quot; width='111' height='150' class='spip_logos' style='height:150px;width:111px;' /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;dl class='spip_document_2090 spip_documents spip_documents_left' style='float:left;'&gt;
&lt;dt&gt;&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L299xH409/-173-cfdd0.jpg' width='299' height='409' alt='JPEG - 58.6 KB' style='height:409px;width:299px;' /&gt;&lt;/dt&gt;
&lt;dt class='spip_doc_titre' style='width:299px;'&gt;&lt;strong&gt;Portada del libro: La cementera de C&#243;rdoba: las claves ciudadanas de un conflicto&lt;/strong&gt;&lt;/dt&gt;
&lt;dd class='spip_doc_descriptif' style='width:299px;'&gt;(III Parte)
&lt;/dd&gt;
&lt;/dl&gt;
&lt;p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:6.0pt;text-align:justify;line-height:
normal&quot;&gt; &lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;mso-bidi-font-size:
12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;&quot;&gt;En este libro, editado en formato digital libre para su m&#225;s amplia difusi&#243;n en las redes sociales y bibliotecas digitales, el historiador Jes&#250;s Padilla Gonz&#225;lez ha tratado diez temas nucleares de la larga lucha y reivindicaci&#243;n de colectivo social denominado &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;C&#211;RDOBA AIRE LIMPIO&lt;/i&gt;. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:6.0pt;text-align:justify;line-height:
normal&quot;&gt; &lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;mso-bidi-font-size:
12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;&quot;&gt;En le se estudia entre otras cuestiones: l&lt;/span&gt;&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;mso-bidi-font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-fareast-language:ES&quot;&gt;a creaci&#243;n de la plataforma&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt; C&#243;rdoba Aire Limpio&lt;/i&gt; (2007-2012); l&lt;/span&gt;&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;mso-bidi-font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;&quot;&gt;a visi&#243;n ciudadana del entorno de la f&#225;brica de Cementos Cosmos S.A.; el an&#225;lisis de la controvertida concesi&#243;n de la licencia municipal para la construcci&#243;n de la nueva cementera de &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;Asland Asociada S. A&lt;/i&gt;., de C&#243;rdoba (1964-1972); &lt;/span&gt;&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;mso-bidi-font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-language:ES&quot;&gt;l&lt;/span&gt;&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;mso-bidi-font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-fareast-language:ZH-CN&quot;&gt;os episodios de contaminaci&#243;n ocurridos y denuncias vecinales presentadas desde el inicio de la&lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;incineraci&#243;n de residuos en dicha cementera (2017-2018); la valoraci&#243;n de los niveles de ruido ambiental y del cumplimiento, o no, de los objetivos de calidad ac&#250;stica de la cementera Cosmos de C&#243;rdoba (2007-2019); l&lt;/span&gt;&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;mso-bidi-font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;&quot;&gt;a concesi&#243;n de la licencia de actividad a &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;Cementos Cosmos, &lt;/i&gt;para valorizaci&#243;n de &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;biomasa &lt;/i&gt;y la negativa a la incineraci&#243;n de residuos; la cremaci&#243;n de harinas c&#225;rnicas (&#8220;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;vacas locas&lt;/i&gt;&#8221;) y estupefacientes en dicha cementera cordobesa; y, finalmente, concluye el trabajo haciendo unas reflexiones sobre la acusaci&#243;n de &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&#8220;desviaci&#243;n de poder&#8221;&lt;/i&gt;, la imputaci&#243;n de &#8220;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;inseguridad jur&#237;dica&#8221;&lt;/i&gt; y sobre la falsa acusaci&#243;n de divisi&#243;n de &lt;span style=&quot;mso-bidi-font-weight:
bold&quot;&gt;la sociedad cordobesa, que los grupos de la oposici&#243;n ha hecho al gobierno municipal por emprender la innovaci&#243;n del PGOU con la que se pretend&#237;a evitar la incineraci&#243;n de residuos dentro del casco urbano.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:6.0pt;text-align:justify;line-height:
normal&quot;&gt; &lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;mso-bidi-font-size:
12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
mso-fareast-language:ES&quot;&gt;Con este trabajo, fundamentado en una amplia base documental de car&#225;cter jur&#237;dico, administrativo, parlamentario y social, etc., su autor, pretende preservar la memoria hist&#243;rica de la acci&#243;n reivindicativa de este movimiento c&#237;vico cordob&#233;s.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; &lt;w:WordDocument&gt; &lt;w:View&gt;Normal&lt;/w:View&gt; &lt;w:Zoom&gt;0&lt;/w:Zoom&gt; &lt;w:TrackMoves/&gt; &lt;w:TrackFormatting/&gt; &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt; &lt;w:PunctuationKerning/&gt; &lt;w:ValidateAgainstSchemas/&gt; &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt; &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt; &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt; &lt;w:DoNotPromoteQF/&gt; &lt;w:LidThemeOther&gt;ES-TRAD&lt;/w:LidThemeOther&gt; &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt; &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt; &lt;w:Compatibility&gt; &lt;w:BreakWrappedTables/&gt; &lt;w:SnapToGridInCell/&gt; &lt;w:WrapTextWithPunct/&gt; &lt;w:UseAsianBreakRules/&gt; &lt;w:DontGrowAutofit/&gt; &lt;w:SplitPgBreakAndParaMark/&gt; &lt;w:DontVertAlignCellWithSp/&gt; &lt;w:DontBreakConstrainedForcedTables/&gt; &lt;w:DontVertAlignInTxbx/&gt; &lt;w:Word11KerningPairs/&gt; &lt;w:CachedColBalance/&gt; &lt;/w:Compatibility&gt; &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt; &lt;m:mathPr&gt; &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt; &lt;m:brkBin m:val=&quot;before&quot;/&gt; &lt;m:brkBinSub m:val=&quot;--&quot;/&gt; &lt;m:smallFrac m:val=&quot;off&quot;/&gt; &lt;m:dispDef/&gt; &lt;m:lMargin m:val=&quot;0&quot;/&gt; &lt;m:rMargin m:val=&quot;0&quot;/&gt; &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt; &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt; &lt;m:intLim m:val=&quot;subSup&quot;/&gt; &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt; &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
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QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; 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SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; 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<item xml:lang="es">
		<title>Las ordenanzas de carpinteros del Consejo de C&#243;rdoba (XV-XVI)</title>
		<link>http://www.artearqueohistoria.com/spip/article712.html</link>
		<guid isPermaLink="true">http://www.artearqueohistoria.com/spip/article712.html</guid>
		<dc:date>2019-06-03T05:20:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>


		<dc:subject>Historia</dc:subject>

		<description>El conocimiento de la legislaci&#243;n municipal se ha convertido en una actividad ineludible y primaria de todo trabajo que pretenda un acercamiento a la realidad hist&#243;rica que se analiza, sea econ&#243;mica, social, pol&#237;tica, institucional, etc. de nuestras ciudades. Es decir, que cualquier estudio que se pretenda sobre estas cuestiones es inevitable el an&#225;lisis de sus ordenanzas. Las ordenanzas de los concejos constituyen una de las fuentes fundamentales para el estudio y conocimiento de la (...)

-
&lt;a href="http://www.artearqueohistoria.com/spip/rubrique115.html" rel="directory"&gt;Jes&#250;s Padilla Gonz&#225;lez&lt;/a&gt;

/ 
&lt;a href="http://www.artearqueohistoria.com/spip/mot17.html" rel="tag"&gt;Historia&lt;/a&gt;

		</description>


 <content:encoded>&lt;img src=&quot;http://www.artearqueohistoria.com/spip/local/cache-vignettes/L110xH150/arton712-0d6e1.jpg&quot; alt=&quot;&quot; align=&quot;right&quot; width='110' height='150' class='spip_logos' style='height:150px;width:110px;' /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;span lang=&quot;ES&quot; style=&quot;font-size:12.0pt;line-height:115%;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;&quot;&gt;&lt;span class='spip_document_2086 spip_documents spip_documents_left' style='float:left; width:299px;'&gt;
&lt;img src='http://www.artearqueohistoria.com/spip/local/cache-vignettes/L299xH417/-171-f3dc8.jpg' width='299' height='417' alt=&quot;&quot; style='height:417px;width:299px;' /&gt;&lt;/span&gt; El conocimiento de la legislaci&#243;n municipal se ha convertido en una actividad ineludible y primaria de todo trabajo que pretenda un acercamiento a la realidad hist&#243;rica que se analiza, sea econ&#243;mica, social, pol&#237;tica, institucional, etc. de nuestras ciudades. Es decir, que cualquier estudio que se pretenda sobre estas cuestiones es inevitable el an&#225;lisis de sus ordenanzas.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;span lang=&quot;ES&quot; style=&quot;font-size:12.0pt;line-height:115%;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;&quot;&gt;Las ordenanzas de los concejos constituyen una de las fuentes fundamentales para el estudio y conocimiento de la vida municipal tanto de la Edad Media como de la Edad Moderna; pues, para el periodo que transcurre desde el siglo XIII hasta el siglo XVIII son imprescindible, pues a trav&#233;s de ellas el concejo regulaba la vida pol&#237;tica, econ&#243;mica y social en las ciudades. As&#237; pues, a trav&#233;s de las ordenanzas, y&lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;ci&#241;&#233;ndonos en concreto a nuestra ciudad, C&#243;rdoba, podemos analizar las relaciones sociales y econ&#243;micas urbanas y c&#243;mo &#233;sta mantuvo su autonom&#237;a y protegida su poblaci&#243;n durante m&#225;s de quinientos a&#241;os.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;	&lt;span lang=&quot;ES&quot; style=&quot;font-size:12.0pt;line-height:115%;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
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mso-bidi-language:AR-SA&quot;&gt;El hecho hist&#243;rico siempre deja testimonios, vestigios que se reconstruyen gracias a la interpretaci&#243;n de los documentos. Y de eso trata este libro, del estudio, transcripci&#243;n e&lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;interpretaci&#243;n de documentos. A trav&#233;s de ellos vamos a conocer como se reglamentaba la vida profesional y social en C&#243;rdoba, en este caso del gremio de los carpinteros, un sector productivo de notable importancia en nuestra ciudad.&lt;/span&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; &lt;w:WordDocument&gt; &lt;w:View&gt;Normal&lt;/w:View&gt; &lt;w:Zoom&gt;0&lt;/w:Zoom&gt; &lt;w:TrackMoves/&gt; &lt;w:TrackFormatting/&gt; &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt; &lt;w:PunctuationKerning/&gt; &lt;w:ValidateAgainstSchemas/&gt; &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt; &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt; &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt; &lt;w:DoNotPromoteQF/&gt; &lt;w:LidThemeOther&gt;ES-TRAD&lt;/w:LidThemeOther&gt; &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt; &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt; &lt;w:Compatibility&gt; &lt;w:BreakWrappedTables/&gt; &lt;w:SnapToGridInCell/&gt; &lt;w:WrapTextWithPunct/&gt; &lt;w:UseAsianBreakRules/&gt; &lt;w:DontGrowAutofit/&gt; &lt;w:SplitPgBreakAndParaMark/&gt; &lt;w:DontVertAlignCellWithSp/&gt; &lt;w:DontBreakConstrainedForcedTables/&gt; &lt;w:DontVertAlignInTxbx/&gt; &lt;w:Word11KerningPairs/&gt; &lt;w:CachedColBalance/&gt; &lt;/w:Compatibility&gt; &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt; &lt;m:mathPr&gt; &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt; &lt;m:brkBin m:val=&quot;before&quot;/&gt; &lt;m:brkBinSub m:val=&quot;--&quot;/&gt; &lt;m:smallFrac m:val=&quot;off&quot;/&gt; &lt;m:dispDef/&gt; &lt;m:lMargin m:val=&quot;0&quot;/&gt; &lt;m:rMargin m:val=&quot;0&quot;/&gt; &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt; &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt; &lt;m:intLim m:val=&quot;subSup&quot;/&gt; &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt; &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
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	</item>
<item xml:lang="es">
		<title>La Torre de la Malmuerta, monumento a los ca&#237;dos (1938-1969)</title>
		<link>http://www.artearqueohistoria.com/spip/article669.html</link>
		<guid isPermaLink="true">http://www.artearqueohistoria.com/spip/article669.html</guid>
		<dc:date>2019-03-13T11:19:18Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>es</dc:language>
		<dc:creator>Jes&#250;s Padilla Gonz&#225;lez</dc:creator>


		<dc:subject>Historia</dc:subject>

		<description>Fotograf&#237;a de la Torre de la Malmuerta desde Avda. Obispo P&#233;rez Mu&#241;oz (Autor an&#243;nimo), 1965 ca.) Es proverbial que la Torre de la Malmuerta (construida en el 1406-1408), a lo largo de sus m&#225;s de seiscientos a&#241;os de historia ha tenido m&#250;ltiples usos y gracias a ellos, estimamos, ha podido llegar a nuestros d&#237;as casi intacta, no sin sufrir los diversos vaivenes y avatares de abandono y recuperaci&#243;n: fue basti&#243;n defensivo septentrional del recinto amurallado de la ciudad; vig&#237;a de los caminos de la (...)

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&lt;a href="http://www.artearqueohistoria.com/spip/rubrique115.html" rel="directory"&gt;Jes&#250;s Padilla Gonz&#225;lez&lt;/a&gt;

/ 
&lt;a href="http://www.artearqueohistoria.com/spip/mot17.html" rel="tag"&gt;Historia&lt;/a&gt;

		</description>


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&lt;dt class='spip_doc_titre' style='width:298px;'&gt;&lt;strong&gt;Fotograf&#237;a de la Torre de la Malmuerta desde Avda. Obispo P&#233;rez Mu&#241;oz&lt;/strong&gt;&lt;/dt&gt;
&lt;dd class='spip_doc_descriptif' style='width:298px;'&gt;(Autor an&#243;nimo), 1965 ca.)
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&lt;p&gt; Es proverbial que la &lt;b&gt;Torre de la Malmuerta&lt;/b&gt; (construida en el 1406-1408), a lo largo de sus m&#225;s de seiscientos a&#241;os de historia ha tenido m&#250;ltiples usos y gracias a ellos, estimamos, ha podido llegar a nuestros d&#237;as casi intacta, no sin sufrir los diversos vaivenes y avatares de abandono y recuperaci&#243;n: fue basti&#243;n defensivo septentrional del recinto amurallado de la ciudad; vig&#237;a de los caminos de la sierra y de las puertas del norte del recinto amurallado de la ciudad; garant&#237;a del control fiscal; prisi&#243;n de nobles en el siglo XV; observatorio astron&#243;mico del sabio cordob&#233;s Gonzalo Antonio Serrano en el siglo XVIII; dep&#243;sito de p&#243;lvora y otras provisiones de guerra del Ejercito hasta 1864; atarazana de muebles y c&#225;mara de fumigaci&#243;n de ropas y tapices de la Corporaci&#243;n municipal tras las epidemias; almac&#233;n de muebles de la firma Caparr&#243;s; sede la del secci&#243;n cordobesa del &lt;i&gt;Consejo de Exploradores de Espa&#241;a&lt;/i&gt; (es decir, sede de los Boy-Scouts); refugio de los vecinos del cercano barrio del Matadero durante la Guerra Civil Espa&#241;ola ante los bombardeos de la aviaci&#243;n republicana; &lt;i&gt;Monumento a los Ca&#237;dos&lt;/i&gt; del denominado Alzamiento Nacional, asunto sobre el que versar&#225; este art&#237;culo; &lt;i&gt;Museo a la Hispanidad&lt;/i&gt;; despacho reservado del alcalde Alfonso Cruz Conde; sede de la Federaci&#243;n Cordobesa de Ajedrez; y en la actualidad subsede del Consejo de Distrito Centro y Sede de la Asociaci&#243;n de Vecinos &lt;i&gt;&#8220;Torre de la Malmuerta&#8221;&lt;/i&gt; (Campo de la Merced).&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;span style=&quot;font-size:11.0pt;font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;&quot;&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;span style=&quot;color:black&quot;&gt;No todos los usos han sido los m&#225;s acertados, pero eso s&#237;, gracias a ellos, la Torre de la Malmuerta no ha sufrido el rigor de la piqueta como en m&#225;s de una ocasi&#243;n estuvo a punto de serlo y as&#237; lo han padecido otras muchas torres albarranas cordobesa. &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;span style=&quot;font-size:11.0pt;font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;&quot;&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;span style=&quot;color:black&quot;&gt;Desde nuestra experiencia sabemos y advertimos que no dar una utilidad a un edificio es condenarlo a su lenta degradaci&#243;n y, finalmente, desaparici&#243;n.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; &lt;w:WordDocument&gt; &lt;w:View&gt;Normal&lt;/w:View&gt; &lt;w:Zoom&gt;0&lt;/w:Zoom&gt; &lt;w:TrackMoves/&gt; &lt;w:TrackFormatting/&gt; &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt; &lt;w:PunctuationKerning/&gt; &lt;w:ValidateAgainstSchemas/&gt; &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt; &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt; &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt; &lt;w:DoNotPromoteQF/&gt; &lt;w:LidThemeOther&gt;ES-TRAD&lt;/w:LidThemeOther&gt; &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt; &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt; &lt;w:Compatibility&gt; &lt;w:BreakWrappedTables/&gt; &lt;w:SnapToGridInCell/&gt; &lt;w:WrapTextWithPunct/&gt; &lt;w:UseAsianBreakRules/&gt; &lt;w:DontGrowAutofit/&gt; &lt;w:SplitPgBreakAndParaMark/&gt; &lt;w:DontVertAlignCellWithSp/&gt; &lt;w:DontBreakConstrainedForcedTables/&gt; &lt;w:DontVertAlignInTxbx/&gt; &lt;w:Word11KerningPairs/&gt; &lt;w:CachedColBalance/&gt; &lt;/w:Compatibility&gt; &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt; &lt;m:mathPr&gt; &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt; &lt;m:brkBin m:val=&quot;before&quot;/&gt; &lt;m:brkBinSub m:val=&quot;--&quot;/&gt; &lt;m:smallFrac m:val=&quot;off&quot;/&gt; &lt;m:dispDef/&gt; &lt;m:lMargin m:val=&quot;0&quot;/&gt; &lt;m:rMargin m:val=&quot;0&quot;/&gt; &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt; &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt; &lt;m:intLim m:val=&quot;subSup&quot;/&gt; &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt; &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
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Priority=&quot;73&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; 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Priority=&quot;67&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt; 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Name=&quot;Medium Shading 2 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; 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Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt; &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; 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